This week I have hauled out Simple however Not. With Thanksgiving around the bend, there will be the included anxiety of a street excursion, so I chose to hold off on beginning the keep going verge on Baltimore Garden. I understood that albeit I adore applique, hand sewing is still my most loved piece of making a coverlet. So unwinding simply taking fasten after line pulling the string thru the fabric. I cherish when I get into the zone and my brain floats off to different things and takes me where I need to go. It's raining outside, so today I will sit and join to my souls content. I will be joining Kathy and the others that connection up today over at Kathy's site. Kathy additionally reminds us today, that Bonnie Hunter will be facilitating Quilt Cam this evening at 2pm. Sounds like a ton of eminent sewing will be occurring. As is frequently said, delight in the fleeting tranquility before all hell breaks loose. Monday, brings clothing and get ready for our trek to visit family for Thanksgiving. I trust everybody appreciates their Thanksgiving Day with family and companions. Yet to start with, we should delight in some glorious moderate sewing today!
Wednesday, 13 March 2013
The song was first introduced by Mary Martin and Patricia Neway in the original Broadway production and sung by Julie Andrews in the 1965 film. In the musical, the lyrics to the song are a reference to things Maria loves, such as 'raindrops on roses and whiskers on kittens, bright copper kettles and warm woolen mittens'. These are the things she selects to fill her mind with when times are bad. The original Broadway musical places this song in the Mother Abbess's office, just before she sends Maria to serve Captain von Trapp's family as governess to his seven children. However, Ernest Lehman, the screenwriter for the film adaptation, repositioned this song so that Maria would sing it with the children during the thunderstorm scene in her bedroom, replacing "The Lonely Goatherd", which had originally been sung at this point.
Many stage productions also make this change, shifting "The Lonely Goatherd" to another scene. The first section of the melody has the distinctive property of using only the notes 1, 2, and 5 of the scale. Rodgers then harmonized this same section of the melody differently in different stanzas, using a series of minor triads one time and major triads the next. This song has 16 bars of D minor 7, followed by eight bars of E b minor 7 and another eight of D minor 7. It also has an AABA structure.
The song's main melody seems derivative of Edvard Grieg's In the Hall of the Mountain King, particularly in its repetitive simplicity and its minor key. The happy, optimistic lyrics "Cream colored ponies and crisp apple strudel" are just a counterpoint and cover up an undercurrent of fear. As noted above, the song was written to be sung by a young woman scared of facing new responsibilities outside the convent. In the film script the song is repositioned, with Maria singing it to the von Trapp children during the thunderstorm; but the terror contained in the melody is still the dominant emotion.
Thursday, 3 May 2012
Ecology and behaviour
Wombat scat, found near Cradle Mountain in Tasmania
Wombats have an extraordinarily slow metabolism, taking around 8 to 14 days to complete digestion, which aids their survival in arid conditions. They generally move slowly.When threatened, however, they can reach up to 40 km/h (25 mph) and maintain that speed for up to 90 seconds. Wombats defend home territories centred on their burrows, and they react aggressively to intruders. The common wombat occupies a range of up to 23 ha (57 acres), while the hairy-nosed species have much smaller ranges, of no more than 4 ha (10 acres).
Dingos and Tasmanian Devils prey on wombats. The wombat's primary defence is its toughened rear hide with most of the posterior made of cartilage. This, combined with its lack of a meaningful tail, makes it difficult for any predator that follows the wombat into its tunnel to bite and injure its target. When attacked, wombats dive into a nearby tunnel, using their rump to block a pursuing attacker. Wombats may allow an intruder to force its head over their back and then use their powerful legs to crush the skull of the predator against the roof of the tunnel, or drive it off with two-legged 'donkey' kicks.
Humans who accidentally find themselves in an affray with a wombat may find it best to scale a tree until the animal calms and leaves. Humans can receive puncture wounds from wombat claws as well as bites. Startled wombats can also charge humans and bowl them over, with the attendant risks of broken bones from the fall. One naturalist, Harry Frauca, once received a bite 2 cm (0.8 in) deep into the flesh of his leg—through a rubber boot, trousers and thick woollen socks (Underhill, 1993). A UK newspaper, The Independent reported that on 6 April 2010 a 59-year-old man from rural Victoria state was mauled by a wombat (thought to have been angered by mange) causing a number of cuts and bite marks requiring hospital treatment. He resorted to killing it with an axe.
Thursday, 8 December 2011
Adults have dark-streaked olive-brown upperparts with a light brown breast with fine streaks, a white belly, and a white throat. They have a brown cap with a grey stripe in the middle, olive-brown wings, and a narrow tail. Their face is grey with brown cheeks, a brown line through the eye, and an eye ring. They are somewhat similar in appearance to the Song Sparrow.
Their breeding habitat is wet thickets or shrubby bogs across Canada, Alaska, and the northeastern and western United States; this bird is less common in the eastern parts of its range. The nest is a well-concealed shallow open cup on the ground under vegetation.
These birds migrate to the southern United States, Mexico, and northern Central America; they are passage migrants over much of the United States, except in the west.
They forage on the ground in dense vegetation, mainly eating insects and seeds.
They are very secretive. Their song is a musical trill, but this bird is often not seen or heard even where they are common.
This bird was named by Audubon after his friend, Thomas Lincoln, of Dennysville, Maine. Lincoln shot the bird on a trip with Audubon to Nova Scotia in 1834, and Audubon named it "Tom's Finch" in his honor.